I had something else I was going to write on representation. But then I heard about Robin Williams, and I thought of other things. About feeling alone. About depression, that horrendous, hideous beast that traps you and makes you feel like there’s no reason to get out of bed. I thought about my…
If you are a writer, and you have a novel idea that you are excited about writing, write it. Don’t go on message boards and ask random Internet denizens whether or not something is allowed. … Who is the writer here? YOU ARE. Whose book is it? YOUR BOOK. There are no writing police. No one is going to arrest you if you write a teen vampire novel post Twilight. No one is going to send you off to a desert island to live a wretched life of worm eating and regret because your book includes things that could be seen as cliché.
If you have a book that you want to write, just write the damn thing. Don’t worry about selling it; that comes later. Instead, worry about making your book good. Worry about the best way to order your scenes to create maximum tension, worry about if your character’s actions are actually in character; worry about your grammar. DON’T worry about which of your stylistic choices some potential future editor will use to reject you, and for the love of My Little Ponies don’t worry about trends. Trying to catching a trend is like trying to catch a falling knife—dangerous, foolhardy, and often ending in tears, usually yours.
I’m not saying you shouldn’t pay attention to what’s getting published; keeping an eye on what’s going on in your market is part of being a smart and savvy writer. But remember that every book you see hitting the shelves today was sold over a year ago, maybe two. Even if you do hit a trend, there’s no guarantee the world won’t be totally different by the time that book comes out. The only certainty you have is your own enthusiasm and love for your work. …
If your YA urban fantasy features fairies, vampires, and selkies and you decide halfway through that the vampires are over-complicating the plot, that is an appropriate time to ax the bloodsuckers. If you decide to cut them because you’re worried there are too many vampire books out right now, then you are betraying yourself, your dreams, and your art.
If you’re like pretty much every other author in the world, you became a writer because you had stories you wanted to tell. Those are your stories, and no one can tell them better than you can. So write your stories, and then edit your stories until you have something you can be proud of. Write the stories that excite you, stories you can’t wait to share with the world because they’re just so amazing. If you want to write Murder She Wrote in space with anime-style mecha driven by cats, go for it. Nothing is off limits unless you do it badly.
And if you must obsess over something, obsess over stuff like tension and pacing and creating believable characters. You know, the shit that matters. There are no writing police. This is your story, no one else’s. Tell it like you want to.
Writing with Color has received several asks on this topic.
Everything from “how do I describe my character’s skin tone without being offensive?” and “what’s the problem with comparing my character to chocolate and coffee?”
I’m hoping to address all these and likewise questions in this guide on describing POC skin color, from light, dark and all that’s in between.
The Food Thing: So what’s the big deal?
So exactly what is the problem with comparing POC skin tone to cocoa, coffee, caramel, brown sugar and other sweets and goods? Well, there’s several potential problems you come across when you pull out the old Hershey’s bar comparison for your dark-skinned character, even if offense is not your intention.
i want science fiction and fantasy to engage more critically with concepts of beauty, desirability, and attraction as it pertains to dehumanized (but human) bodies. people of color, (and black people specifically), disabled people, trans women. which of our bodies are…
I read this guest post back in August about ten things you don’t need to be a writer, and it inspired me to talk about the opposite. What DO writers need? I’ve got five things.
What would you add to the list?
We were grabbing a bite of lunch at a small cafe, in a mall, right across from a booth that sold jewelry and where ears could be pierced for a fee. A mother approaches with a little girl of six or seven years old. The little girl is clearly stating that she doesn’t want her ears pierced, that’s she’s afraid of how much it will hurt, that she doesn’t like earrings much in the first place. Her protests, her clear ‘no’ is simply not heard. The mother and two other women, who work the booth, begin chatting and trying to engage the little girl in picking out a pair of earrings. She has to wear a particular kind when the piercing is first done but she could pick out a fun pair for later.
"I don’t want my ears pierced."
"I don’t want any earrings."
The three adults glance at each other conspiratorially and now the pressure really begins. She will look so nice, all the other girls she knows wear earrings, the pain isn’t bad.
She, the child, sees what’s coming and starts crying. As the adults up the volume so does she, she’s crying and emitting a low wail at the same time. “I DON’T WANT MY EARS PIERCED.”
Her mother leans down and speaks to her, quietly but strongly, the only words we could hear were ‘… embarrassing me.’
We heard, then, two small screams, when the ears were pierced.
Little children learn early and often that ‘no doesn’t mean no.’
Little children learn early that no one will stand with them, even the two old men looking horrified at the events from the cafeteria.
Little girls learn early and often that their will is not their own.
No means no, yeah, right.
Most often, for kids and others without power, ”no means force.”
from "No Means Force" at Dave Hingsburger’s blog.
This is important. It doesn’t just apply to little girls and other children, though it often begins there.
For the marginalized, our “no’s” are discounted as frivolous protests, rebelliousness, or anger issues, or we don’t know what we’re talking about, or we don’t understand what’s happening.
When “no means force” we become afraid to say no.
I remember everyone telling me I had to think positive when I was writing my first book. If I believed I could do it, then I could! If I pictured myself published, then it was going to happen! Which sounded great, except…could I do it? If I didn’t think I could, was I doomed to fail? What if I was almost totally sure I would fail? I am here to tell you—what matters is sticking with it.
—Holly Black (via writingquotes)
A Kansas City, Mo., couple had their daughter taken into custody by the state two days after her birth because both parents were blind. A Chicago mother, because she is quadriplegic, endured an 18-month legal battle to keep custody of her young son. A California woman paid an advance fee to an adoption agency, then was told she might be unfit to adopt because she has cerebral palsy.
This is such a serious problem! Child welfare laws across the U.S. allow children to be taken from their parents because their parents are considered “unfit” due to a disability. Not negligence, abuse, etc. - just blindness or paralysis or autism.